The wall of the British High Commission on Main Street, Georgetown, has become a major attraction for passersby, where a distinct cultural painting is on display, known as the 2025 Commonwealth Mural.
The painting, by Guyanese artist Ransford Simon, evokes a sense of peace and reflection, drawing many into a deeper connection with nature and heritage.
Simon hails from the serene village of Rewa, located in the heart of the Rupununi, Region Nine, Savannahs.
His creative journey began early in life, as he became captivated by the vibrant landscapes and rich cultural heritage that surrounded him.
For Simon, art is not just a form of expression; it is a sacred dialogue with his ancestors and the spirits of the forest—a medium through which he channels their whispers onto the canvas.
Simon’s education took root at the Rewa Primary and Annai Secondary Schools, both nestled in the North Rupununi.
His raw talent and dedication were soon recognised, earning him a scholarship to the prestigious E.R. Burrowes School of Art in the capital city.
2025 Commonwealth Mural
There, he earned a Certificate in Painting with a minor in Sculpture, honing his craft and gaining a profound understanding of form and texture.
Speaking recently during the unveiling of the mural, this publication was granted a first-hand understanding of the art he presented, which took a demanding time to complete.
One of the key elements in his work is the hourglass, which can be seen on the left side of the artwork.
As in all great art pieces, his art piece does not confine persons to only think or see the picture in just one way. When some viewers glance at it, they are invited to reflect and interpret its meaning for themselves.
Simon explained: “The hourglass symbolises biodiversity. It started with the idea of the green forest and the biodiversity that we have right now. It represents a transformation into a greener future—a more sustainable lifestyle; however, you can interpret it how you would like to envision it.”
The painting is divided into two halves, each with its distinct meaning.
On the right side there is a young girl with her face containing an array of flags from the commonwealth nations.
“On the left side, I depict the biodiversity of Guyana—rivers, plants, and our national animal. On the right, the girl represents the Commonwealth family. If you look closely at her face, you’ll see various faces, which was challenging to incorporate, but it came together well. The gold chain she wears symbolises the Commonwealth…,” he elaborated.
Artist Ransford Simon speaking during unveiling of 2025 Mural
Simon’s art has been featured in prominent exhibitions, such as the Rupununi Music and Art Festival, the Onhare Indigenous Festival at The Courtyard Mall, and the Heritage Exhibition at the National Gallery’s Castellani House, where he was a resident exhibitor for two years.
His work speaks with the pulse of the land, carrying the essence of the Rupununi to the wider world; and they are the same attributes, which he has channelled in his previous paintings, that are once again reflected in this mural.
“It ties together the unity we share within the Commonwealth family. It’s like the transformation from the green landscape we cherish to a more modern, sustainable future, akin to the wind turbines in Thompson. The choice is in our hands,” Simons reflected.
“The world could evolve in many different ways, but if we choose sustainability, the hourglass symbolises a modern future where biodiversity is preserved and clean energy reigns.”
He also spoke about the power of art, which he believes has the ability to celebrate heritage and allow people to understand culture in a new light.
“I would like to introduce myself as an artist from Region Nine. I’ve always believed in the power of art to celebrate our heritage and drive change. It’s an honour to share this journey with you today, and thank you for celebrating this mural, which is a vibrant reflection of Guyana’s rich biodiversity and our commitment to a greener future within the Commonwealth,” he expressed.
